MUSIC

Caresha said watch, so we’re watching. Yung Miami’s long-awaited debut solo album, Watch Dis, arrived today, Friday, Oct. 23, and the City Girls star came with a guest list that reads like an awards-show seating chart.

A 21-Track Statement

Per the tracklist shared ahead of release, Watch Dis runs 21 tracks and includes the pre-release singles “F You,” “2008” and “Spend Dat.” That last one is her biggest solo hit yet, climbing to No. 17 on the Billboard Hot 100 and becoming her first solo Top 20 entry.

The features are deep. Travis Scott appears on “Just Might Go,” Summer Walker joins her on “Ride For You,” and Bryson Tiller and London On Da Track link up on “Old Time Sake.” Quavo and G Herbo share “TMTC,” while Pleasure P slides in on “Baby.”

Miami gets its flowers too: “Dade County” brings Rick Ross, Trina and Trick Daddy together on one track. And “Spend Dat” gets two remixes, one with Lil Baby and Kodak Black and an international version with Davido, Shenseea and Vybz Kartel.

Betting on Herself

When she announced the project earlier this month, Yung Miami made it clear this one is personal. In a post on X, she wrote, “This is me betting on ME.” She also told fans she knew people had counted her out, and that she chose to go big rather than play it safe with a single.

The rollout leaned into that energy, with London On Da Track producing “F You,” a reworking of the Yo Gotti and Meek Mill record, and J White behind “2008,” which dropped with a music video.

We’ll be curious to see how the Summer Walker collab lands with fans, considering everything the Atlanta singer has going on in her ongoing label dispute.

A Letter to JT

The most talked-about track might be the most personal one. On “Dear JT,” Yung Miami speaks directly to her City Girls partner, looking back on the broke days they survived together before the fame, and admitting that their public falling-out was embarrassing. She frames the song as a letter to a friend she still cares about, even with the friendship on pause.

Complex reports that Miami didn’t play the song for JT before it came out, and as of Friday, JT had not publicly responded. In a Pandora Playback interview cited by TheGrio, Miami said the two last spoke around JT’s birthday nearly two years ago. Asked about a reunion, she answered, “I mean, inshallah.”

Watch “Dear JT” below:

Now we want to hear from you: How are you feeling about “Dear JT”? And should the City Girls get back together? Drop a comment below and let us know.

Why it matters: Yung Miami has spent years as one-half of a duo and as a podcast host with Caresha Please. A solo album with this many A-list co-signs, including Atlanta’s own Quavo, Lil Baby and Summer Walker, is a real test of her standing as a solo artist in the South’s rap economy.

Tell us your favorite track. Join the conversation with fellow fans in N’Style Insider, or become one of The 800 founding members.

Sources: HotNewHipHop, Complex, Ratings Game Music, Hip Hop Vibe, Complex (“Dear JT”), TheGrio

Almost four decades, no lease, no rent, and now a court case. Stevie Wonder is suing to remove Carmen Efferson, a woman he was reportedly once engaged to, from a Los Angeles home he owns, according to legal documents obtained by TMZ.

A Handshake Deal From 1988

According to the filing as reported by TMZ, Efferson has lived in the property since July 1988 under a verbal agreement. There was no written lease, and the rent was $0 a month. Wonder’s side says that arrangement is now over.

TMZ reports that Efferson and Wonder had a romantic history and were said to have been engaged in the late 1980s. Wonder has been married to his third wife, Tomeeka Robyn Bracy, since 2017.

What Wonder’s Team Says Happened

Per the documents, Wonder’s team tried several times over the summer to inspect the house for insurance purposes. They say Efferson refused to let anyone in. His lawyers argue that put the property’s insurance coverage at risk, so they sent her a notice in July ending her right to stay, with an Aug. 27 move-out date.

Wonder’s side says she’s still there. He’s now asking a judge to order her out, and he’s also seeking damages and legal costs.

TMZ also reports a tense email exchange between Efferson and Wonder’s legal team in the lead-up to the suit. As of publication, no full public response from Efferson to the lawsuit had been reported, and N’Style Atlanta has not independently reviewed the court filing. These are claims made in a lawsuit, and a judge hasn’t ruled on any of them.

Why it matters: Stevie Wonder is Motown royalty and one of the most beloved artists in Black music. A legal fight that reaches back to his late-’80s personal life is a reminder that even legends have to sort out the business of handshake deals. We’ll keep you posted as the case moves through court.

Want the full story when it breaks? Join N’Style Insider or become one of The 800 founding members.

Sources: TMZ

The King of Crunk is turning the volume down, just long enough to tell his story. Lil Jon’s debut memoir, I Only Shout So You Can Hear Me, hit shelves Tuesday, Oct. 20, and it’s a lot more personal than the man behind “Yeah!” and “Get Low” has ever been in public.

Written with music journalist Paul Cantor and published by Atria/Black Privilege Publishing, an imprint of Simon & Schuster, the book follows Jonathan Smith from childhood in southwest Atlanta to the studios and stages where he helped turn a regional sound into a global party.

From the SWATS to the Super Bowl

Rolling Stone reports the memoir opens with his mother’s birth in Alabama, not his own, and moves through the late-’90s and early-2000s Atlanta scene that made crunk a movement. There are chapters on the records everybody still knows every word to, and on his work with Usher, Ciara, Ice Cube and Pitbull.

According to The Atlanta Journal-Constitution, the book also goes behind the scenes of Usher’s 2024 Super Bowl halftime show. It covers the reflection that came with turning 50 in 2022, his turn toward meditation and wellness, and a family revelation: the man who raised him is not his biological father.

Writing Through Grief

The hardest chapter came late. Lil Jon told Complex he had already finished the manuscript earlier this year, then went back to it after the death of his son, Nathan “DJ Young Slade” Smith, in February. The book’s epilogue is about that loss. He told the AJC plainly, “I’m still mourning,” and told Complex he hopes his honesty might help another grieving parent get through it.

That openness matches the tone he set when the book was announced in the spring. He said this project “made me dig deep and turn inward,” which is a long way from the man screaming “OKAAAY!” over the club speakers.

For fans who just want the party stories, he’s got those too. His own pitch to the AJC: if you’ve ever partied to his music and want to know the man behind it, “just pick up the book.”

Atlanta has always shown up for Lil Jon, from the Freaknik documentary premiere to every wedding reception that ends with “Turn Down for What.” Now the city gets to hear the parts he never shouted.

Why it matters: Lil Jon helped put Atlanta’s sound on the map. A memoir that pairs that legacy with honest talk about family, faith and grief is a rare kind of hip-hop history, and a lot of it comes from our city.

Want more Atlanta culture stories before they trend? Join N’Style Insider or claim your spot among The 800 founding members.

Sources: The Atlanta Journal-Constitution, Rolling Stone, Complex

Hov might finally be taking the stage he’s spent years building for everybody else. A new report says Jay-Z has picked himself to headline the Super Bowl LXI halftime show in Los Angeles. But nobody has made it official yet, so hold the confetti.

What the Report Says

On Oct. 20, Puck’s Dave Brooks reported that, according to multiple sources, Jay-Z chose himself for the February 2027 show at SoFi Stadium in Inglewood. Per the report, Miley Cyrus and Justin Bieber were also in the conversation before he landed on the headliner he apparently found most compelling: himself.

Here’s the key detail. Neither the NFL nor Roc Nation answered requests for comment, and theGrio called it an industry claim, not an official announcement. Until the league says so, this stays in the “reportedly” column.

Why Jay-Z Gets to Make the Call

If you’re wondering how an artist can book himself, the answer is the deal Roc Nation signed with the NFL in 2019. That partnership made Jay-Z’s company the league’s go-to for live music entertainment, and it was renewed in 2024. Roc Nation has since produced some of the most talked-about halftime shows in recent memory, including Kendrick Lamar in 2025 and Bad Bunny in 2026. The New York Daily News notes Bad Bunny’s set went on to win seven Emmys.

The timing makes sense too. 2026 marks 30 years since Reasonable Doubt and 25 since The Blueprint, and Jay-Z has been on a victory lap. Puck pointed to strong ticket sales for his anniversary shows and recent stadium dates in New York, Philadelphia and Paris. Rolling Out reports he has two SoFi Stadium shows coming this weekend, and some think an announcement could land around then. If you caught our coverage of Beyoncé’s surprise at his Yankee Stadium finale, you already know these shows have been major.

If it’s confirmed, this would be Jay-Z’s first time headlining the Super Bowl. That would be a big moment for a catalog that has soundtracked three decades of Black culture.

Why it matters: For years, Jay-Z has been the architect behind the halftime show, putting Black and Latino artists on the world’s biggest stage. Seeing him finally step into the spotlight himself would be a full-circle moment. It would also restart the debate about who gets the halftime stage and who decides.

Who should Hov bring out if it happens? Tell us, and get the culture conversation first by joining N’Style Insider or becoming one of The 800 founding members.

Sources: theGrio, Rolling Out, New York Daily News via The Spokesman-Review (citing Puck).

Tip is going back to the yard. Well, somebody’s yard. Atlanta’s own T.I. has been named grand marshal of Tuskegee University’s 2026 Homecoming, and he’ll be on the field at halftime too.

The Game Plan

TMZ Sports first reported the news, and theGrio notes that Tuskegee has since confirmed it. On Saturday, Nov. 7, T.I. will lead the morning Homecoming parade. Then he’ll hit the field with the Marching Crimson Pipers during halftime of Tuskegee’s matchup against Miles College at Cleve Abbott Memorial Stadium. Kickoff is set for 2:30 p.m. Central.

It’s a family affair, too. His youngest daughter, Heiress Harris, is scheduled to sing the national anthem. That fits nicely with the university’s theme for Homecoming 102: “A Renaissance Family Affair.”

A Full-Circle Moment

This booking didn’t come out of nowhere. Earlier this year, T.I. featured the Marching Crimson Pipers in the video for “Trauma Bond,” which samples the band’s signature “Ball N’ Parlay.” TMZ describes the song as part of Kill the King, which it calls his final album. HBCU Sports reported that the track came out in March through Grand Hustle and EMPIRE, and it framed the band feature as part of T.I.’s longer history of supporting HBCUs, including Morris Brown College here in Atlanta.

So when the Pipers strike up that sample live with T.I. standing in the middle of the formation? Yeah, Tuskegee might need a bigger stadium.

T.I. has been a fixture at Atlanta’s biggest culture moments for two decades. Flash back to when he and Tiny hosted the Grand Hustle black-tie holiday party at Pangea Studios.

Why it matters: HBCU homecoming is our Super Bowl. When an Atlanta hip-hop pillar puts his name and his platform behind a band and a campus, it puts a national spotlight on HBCU culture, and that spotlight is a big part of how these schools draw students and support.

Headed to Tuskegee, or just here for the halftime clips? Tap in with N’Style Insider, or join The 800 founding members and help build what’s next.

Sources: TMZ, theGrio, HBCU Sports

Atlanta’s own Summer Walker built a whole trilogy around being “Over It.” Now her record label is betting she isn’t done. Interscope Records has sued the R&B star for more than $50 million after she moved to walk away from the deal she signed back in 2017.

What the Lawsuit Says

According to Music Business Worldwide and theGrio, which cite reporting from Billboard and Rolling Stone, Interscope filed a seven-page complaint on October 9 in Los Angeles County Superior Court. The final dollar amount would be decided at trial.

The fight centers on California’s so-called seven-year rule, which limits how long personal-service contracts can bind an artist. Walker’s attorneys reportedly notified the label in August that she would stop working under the agreement as of August 27.

Interscope’s position is that the clock doesn’t erase the work still owed. The label says her contract called for five studio albums and counts three delivered: Over It (2019), Still Over It (2021) and Finally Over It (2025). Her 2018 mixtape Last Day of Summer and 2019 EP CLEAR are treated as pre-album projects. By the label’s math, two albums and an EP are still outstanding. A 1987 amendment to the California law allows labels to seek damages when an artist leaves before finishing those commitments.

Both Sides Are Talking

An Interscope spokesperson told Billboard the filing was needed to beat a statutory deadline. The label has also said it hopes for an “amicable resolution” and remains open to continuing the relationship.

Walker’s attorney, Keith Moten, said in a statement reported by Rolling Stone that her team will “vigorously defend” against the claims. He added that she plans to countersue and is open to a constructive resolution. No court has ruled on whether Walker owes anything.

The deal itself has an Atlanta story behind it. Walker was signed jointly by Interscope and LVRN, the Atlanta-born company behind some of the city’s biggest R&B careers. MBW reports that LVRN has since exited its joint venture with the label but remains Interscope’s partner on Walker and 6lack. For a look inside how LVRN thinks about developing artists, revisit our Jordan With The Juice conversation with LVRN co-founder Justice Baiden.

Why it matters: Summer Walker is one of Atlanta’s biggest homegrown voices, and this case could shape how much freedom R&B artists have when an old contract stops fitting. Artists everywhere are watching what happens when the seven-year clock runs out before the album count is met.

Want the next update before the timeline catches it? Join N’Style Insider for free, or become one of The 800 founding members and help keep independent Atlanta entertainment news going.

Sources: Music Business Worldwide, theGrio

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Jay-Z didn’t just play Yankee Stadium this past weekend — he turned it into a three-night victory lap through his own catalog, and by night two, it was clear he wasn’t holding back on the guest list.

Night One: Reasonable Doubt Turns 30

Friday’s show, billed “JAY-Z 30,” marked three decades since his 1996 debut, and he performed it nearly cut for cut. Beyoncé opened things up herself, stepping in for Mary J. Blige’s hook on “Can’t Knock the Hustle” in a pinstripe suit that had the stadium doing a double take. Their daughter Blue Ivy, who’s no stranger to a stage moment with her parents, played keys during “Feelin’ It.” Nas came out for the “Reasonable Doubt” staples that sample and echo their old rivalry, and Alicia Keys closed the night with “Empire State of Mind.”

Night Two: The Blueprint Turns 25

Saturday’s “JAY-Z 25” leaned into the album’s smaller, sharper guest list — Slick Rick opened “The Ruler’s Back,” Eminem traded verses on “Renegade” before dropping into “Lose Yourself,” and Pharrell joined for a run of their joint hits. The set closed with Jay reflecting on the album’s original release date, tying it to a moment fans won’t forget.

What’s “Extra Innings”?

Sunday’s closer is the wild card. Unlike the first two nights, it isn’t tied to a specific album anniversary — it’s billed as a career-spanning finale, and fans have been speculating for weeks about what that actually means. Add in the video of Beyoncé shaving Jay’s head that opened night one, widely read as new-album teasing, and there’s real reason to believe Sunday won’t just be a highlight reel.

Who We Want to See Next

Based on the “everything, all at once” theme of an Extra Innings show, here’s who’d make sense:

• Kanye West — co-produced huge chunks of Jay’s catalog across multiple eras; a reunion (however complicated) would be the biggest possible pop given the current climate around him.
• Rihanna — a Roc Nation cornerstone for over a decade; her absence from the weekend so far is the loudest silence.
• Foxy Brown — a defining voice from the Roc-A-Fella era who didn’t show up for “Reasonable Doubt” night despite fan predictions; Sunday’s open format is her best remaining shot.
• Rick Ross or DJ Khaled — either would fit a “one more for the culture” late-set cameo built around Roc Nation’s broader reach.
• Mary J. Blige — she couldn’t make Friday’s “Can’t Knock the Hustle” moment because of her Vegas residency, but if her schedule allows, Sunday’s open-format night is the natural do-over.

Whatever happens, it’s hard to imagine Jay-Z closing out a weekend this big without at least one moment nobody saw coming. We’ll be watching.

Who do you think should show up Sunday night? Drop your predictions in the comments.

Atlanta is getting the ultimate Mother’s Day moment as Xscape returns home to headline The Mother’s Day Love Affair at the legendary Fox Theatre on Sunday, May 10, 2026. The Grammy-nominated, platinum-selling trio—known for defining ‘90s R&B—will take the stage for a one-night-only celebration that blends nostalgia, culture, and pure star power.

Joining them is powerhouse vocalist K. Michelle, who’s stepping into a major new era as she gears up for her debut on The Real Housewives of Atlanta Season 17. Fresh energy, bold presence, and undeniable vocals make her one of the night’s most anticipated performers. Rounding out the lineup is R&B favorite Donell Jones, bringing timeless hits that defined late ‘90s and early 2000s slow jams.

This isn’t just a concert—it’s a cultural experience. With Xscape’s iconic catalog, K. Michelle’s headline-making moment, and Donell Jones delivering pure nostalgia, the night promises unforgettable vibes rooted in love, legacy, and connection.

Tickets are expected to sell out fast, as fans across generations prepare to celebrate Mother’s Day in true Atlanta style—with music that moves the soul.

EVENT DETAILS

The Mother’s Day Love Affair

Xscape with Special Guests K. Michelle & Donell Jones

• Date: Sunday, May 10, 2026

• Location: The Fox Theatre | 660 Peachtree Street NE, Atlanta, GA

• Artist Presale: Thursday, March 19 — 10:00 AM

• Venue Presale: Thursday, March 19 — 12:00 PM

• General On-Sale: Friday, March 20 — 10:00 AM

Tickets available at FoxTheatre.org and the Fox Theatre Box Office.

The Chi star Birgundi Baker is stepping into her next era, and she’s making it clear she’s not playing small. In a new sit-down with Jordan With The Juice, the actress and rising music artist opens up about her latest single, “My Location (I’m Outside)”, and what fans can expect as The Chi prepares to air its final season.

Known for her standout portrayal of Kiesha Williams, Birgundi reflects on how the role shaped her both personally and professionally. As the beloved Showtime series comes to an end, she shares her gratitude for the character’s journey and the impact the show has had on Black storytelling and culture.

But acting isn’t the only lane Birgundi is dominating. During the interview, she dives into her music career and the inspiration behind “My Location (I’m Outside)”, a confident, high-energy track that represents freedom, self-expression, and reclaiming joy. She explains that the song isn’t just a vibe — it’s a statement about showing up fully, unapologetically, and on her own terms.

The conversation also highlights Birgundi’s evolution beyond the screen, balancing multiple creative passions while staying grounded in authenticity. With music dropping and The Chi closing a powerful chapter, it’s clear Birgundi Baker is entering a bold new phase — and she’s inviting fans to meet her right where she is.

The full interview is now streaming on Jordan With The Juice, and if this conversation is any indication, Birgundi Baker’s next moves will be just as impactful as the legacy she leaves behind on The Chi.

https://youtu.be/IPwCHIkr1j8

N’Style Atlanta highlights another must-watch moment in hip-hop media as Jordan Martin (aka Jordan With The Juice) sits down with Grammy-winning Super Producer Bangladesh. As the creative force behind culture-defining records like Lil Wayne’s “A Milli” and Beyoncé’s “Diva,” Bangladesh has spent decades shaping the sound of the industry.

While Part One of this revealing conversation saw Bangladesh opening up about his creative instincts—including the shocker that he initially didn’t even like the “A Milli” beat—Part Two takes us even deeper into the mind of a legend.

In this high-energy conclusion, the “A Milli” mastermind pulls back the curtain on the evolution of his sound and why he refuses to chase the charts.

Inside the Interview: Key Highlights

• The Evolution of the “Bangladesh Sound”: Bangladesh reflects on maintaining a signature style that feels “foreign” to the ear while staying relevant in an ever-changing industry. For him, it’s about being the trend, not following it.

• Industry Dynamics & “Copycat” Culture: With his signature unfiltered honesty, he shares candid thoughts on the current state of hip-hop production and the grit required to stand out in today’s crowded market.

• Working with Icons: Get a seat inside the studio as he discusses the collaborative mindset needed to create hits for the likes of Rihanna, Nicki Minaj, and Beyoncé.

• Gems for the Next Generation: Bangladesh drops invaluable advice for up-and-coming beatmakers, specifically focusing on the business of music and the importance of protecting your intellectual property.

The Master at Work

Jordan guides the conversation with her signature mix of curiosity and cultural insight, uncovering the stories of hits that almost never made it out of the vault. Whether you are an aspiring producer or a lifelong hip-hop fan, this interview is a masterclass in creativity and career longevity.

Don’t miss this exclusive moment—watch the interview below!

WATCH FULL INTERVIEW HERE

Follow the Journey:

• Watch: Jordan With The Juice on YouTube

• Stay Connected: Follow @JordanW.TheJuice on Instagram for more behind-the-scenes content.

• Subscribe: Visit NStyleAtlanta.com and subscribe to the “Jordan With The Juice” channel via Kiss 104.1 for more exclusive interviews with the architects of the culture.

https://youtu.be/sTpL0sULOtchttps://youtu.be/w8nNIRHIUdM

Meet Nia Monét — an independent R&B artist from Queens, New York, whose voice, style, and story are all about authentic self-expression. 🎤✨

In this exclusive interview, Nia opens up about building her career independently, the inspiration behind her soulful sound, and how she channels love, heartbreak, and growth through her music. From writing heartfelt lyrics to connecting with fans through her natural hair and beauty content, Nia proves that artistry goes far beyond the mic.

💫 Her message? Show up fully, unapologetically, and embrace your glow—inside and out.

Watch as Nia Monét shares how faith, consistency, and creativity fuel her journey as an artist and entrepreneur.

🔔 Subscribe for more exclusive interviews with rising stars, creators, and culture shapers from Atlanta and beyond.

#NiaMonet #NStyleAtlanta #RNBArtist #WomenInMusic #IndependentArtist #QueensNY #BlackGirlMagic #MusicAndBeauty #NaturalHairCare #SelfExpression

https://youtu.be/6qxfnEkVYrk

Miss J sits down for an exclusive interview with Jussie Smollett, who’s opening up like never before about his new album, Breakout — released September 30th and produced by the legendary Dallas Austin. 🎶

Described as his most personal and unapologetic project yet, Breakout fuses Jussie’s classic R&B roots with a bold, modern edge. The conversation dives into themes of resilience, reinvention, and reclaiming artistry — marking a defining moment in his creative journey.

For the ATL News First audience, this is more than just an album drop — it’s an inside look at a powerful comeback. Jussie gets real about his growth, the stories behind the music, and how he’s using his voice and experiences to inspire others through art.

🔥 Breakout is available now on all streaming platforms.

https://youtu.be/4O_ldYrvtEwhttps://youtu.be/2nrzZUf1v1whttps://youtu.be/6nepzc-tQUQ

Beyoncé gave fans the surprise of a lifetime on the final night of her Cowboy Carter World Tour in Las Vegas. Just when the crowd thought the night couldn’t get any more magical, the stage lit up in gold as Kelly Rowland and Michelle Williams joined Queen Bey for a jaw-dropping Destiny’s Child reunion performance.

It marked the group’s first time performing together in over a decade—their last official performance being at the 2013 Super Bowl halftime show. The trio delivered powerhouse vocals, flawless harmonies, and unmatched energy as they paid tribute to their legacy with a medley of hits, leaving fans emotional and euphoric.

Dressed head-to-toe in gold, the ladies reminded the world why Destiny’s Child remains one of the most iconic girl groups of all time. The reunion was a perfect closing chapter to the Cowboy Carter tour, blending nostalgia with Beyoncé’s bold new era.

Fans are already calling it the “performance of the decade.”

#CowboyCarterTour #DestinysChild #Beyoncé #KellyRowland #MichelleWilliams #DC3Reunion #VegasFinale #Beyhive #BlackGirlMagic #GirlGroupRoyalty

https://youtu.be/JpO_jybLj90?si=-TOeM7guPUmJQxxxhttps://youtu.be/L6cOqRcel-U?si=Q-oBKME4aZaY3xUE

June 25, 2025 – Global music icon Whitney Houston continues to reign supreme as The Estate of Whitney E. Houston announces eleven newly certified titles by the Recording Industry Association of America (RIAA), solidifying her enduring legacy in the digital age.

In a milestone moment during the 40th anniversary celebration of her legendary career (February 14, 2025 through February 14, 2026), Houston’s music has reached new heights with impressive RIAA certifications reflecting her combined physical sales, digital downloads, and on-demand streams.

Among the latest achievements:

• “The Bodyguard: Original Soundtrack Album” – 19x Platinum

• “I Will Always Love You” – 11x Platinum

• “I Wanna Dance with Somebody (Who Loves Me)” – 8x Platinum

• “I Have Nothing” – 4x Platinum

• “Higher Love” (with Kygo) and “How Will I Know” – 3x Platinum each

• “Heartbreak Hotel,” “My Love Is Your Love,” “Saving All My Love” – 2x Platinum each

• “Run to You” and “Count On Me” – Platinum

Houston also remains the first African American artist to earn three RIAA Diamond-certified albums, a rare honor recognizing over 10 million units sold for each of the following: her debut album Whitney Houston, sophomore album Whitney, and the Bodyguard soundtrack.

These latest U.S.-based certifications bring her total RIAA-certified units to 114.5 million across 38 titles—a staggering feat that doesn’t yet account for her continued success in 195 other countries.

“We are honored to share this great news with Whitney’s fans,” says Pat Houston, executor of the Estate and president of The Whitney E. Houston Legacy Foundation. “She would be so proud to see the ongoing impact of her music and thankful to everyone involved, especially Clive Davis and the Arista Records team who helped shape her iconic sound.”

Houston’s team also credited Primary Wave Music, Sony Music Entertainment, and Legacy Recordings for preserving her musical legacy and helping it reach new generations.

RIAA President and COO Michele Ballantyne praised Houston’s timeless influence, adding:

“With eleven new certifications, RIAA is proud to celebrate how her enduring impact is still felt throughout the music industry. Whitney’s voice is a gift that continues to inspire millions.”

As fans and the industry alike celebrate the Whitney Houston 40 anniversary, these new accolades affirm what the world has always known: Whitney Houston’s music remains forever unmatched.

Atlanta, GA – June 20, 2025 – The heatwave of talent that is JayDon, aka JD McCrary, just turned all the way up. Hot on the heels of the highly anticipated debut of his official music video “Lullaby” featuring Paradise, the 17-year-old triple threat returns today with a brand new single, “Boujee Baby” — and it’s already causing waves.

Released under Usher and LA Reid’s new powerhouse label MEGA, “Boujee Baby” is a bold, bass-heavy bop dripped in swagger and summer energy. With slick production, a hypnotic hook, and JayDon’s signature vocal agility, the track is destined to be the next Gen-Z anthem. Whether you’re vibing in your car or blasting it through your AirPods, “Boujee Baby” hits with confidence and charisma only JayDon can deliver.

Fans are still buzzing from “Lullaby,” which dropped June 12 and introduced a new era for the rising superstar. The cinematic visuals, smooth R&B vibes, and Paradise’s sultry feature proved JayDon is not only ready — he’s here. Now, with “Boujee Baby,” he’s solidifying his spot in the industry as more than just a former child star — he’s a certified hitmaker in the making.

From starring as young Simba in Disney’s The Lion King to singing alongside Childish Gambino at the Grammys, JayDon’s journey has been nothing short of iconic. Managed by Arturo Ayers Jr. at Invisible Ink Entertainment, and now backed by two of music’s most influential tastemakers, the sky isn’t even the limit.

Stream “Boujee Baby” now on all platforms and stay locked — JayDon season has officially begun.

Stream Here!