MUSIC

Atlanta hip-hop royalty is pulling back the curtain on the journey behind the music.

Bankhead’s own Young Dro is bringing his personality, perspective, and nearly two decades of hip-hop history to an exclusive sit-down with Jordan Martin on Jordan With The Juice.

Known for Atlanta rap anthems including “Shoulder Lean,” “FDB,” and “Rubberband Banks,” Young Dro has built a legacy that reaches far beyond his hometown. His collaborations include some of music’s biggest names, including T.I., Travis Porter, J. Cole, Metro Boomin, and Kirk Franklin.

But this conversation goes beyond the hits.

During the interview, Jordan introduces some of the milestones shaping Dro’s next chapter, including 20 years of Best Thang Smokin’, five years of sobriety, and his work through nonprofit initiatives.

From his Bankhead roots to his impact on Atlanta’s hip-hop culture, the conversation offers a closer look at the man behind the music and the evolution of an artist who continues to make his mark.

Young Dro Is Bringing the Energy Back to Atlanta

And if you want to experience that Young Dro energy live, mark your calendar!

The Atlanta rap veteran is scheduled to perform at Believe Music Hall on December 3, 2026.

EVENT DETAILS

• Artist: Young Dro
• Date: Thursday, December 3, 2026
• Venue: Believe Music Hall
• Location: Atlanta, Georgia

Watch the Exclusive Interview

Catch Young Dro on Jordan With The Juice, hosted by Jordan Martin, for an exclusive conversation celebrating his music, personal growth, and continued influence on hip-hop.

WATCH THE INTERVIEW: https://youtu.be/i0bTfE3wR60

For more celebrity interviews, entertainment news, exclusive conversations, and Atlanta culture, visit nstyleatlanta.com.

Jordan With The Juice — Bringing You the Juice Behind the Headlines.

Exhale, Dreamville. J. Cole spent years hinting that The Fall-Off could be his last album, and now he’s officially walking that back.

In a new GQ conversation alongside his longtime A&R and mentor Mark Pitts, the North Carolina MC made it plain that retirement is no longer the plan. “I’m not using that word,” Cole said, per XXL and Billboard.

From “Final Album” to “Not So Fast”

Cole has said he made The Fall-Off believing it might be his final project. The double-disc album arrived in February and gave him his seventh No. 1 on the Billboard 200, according to Billboard, and the sold-out arena tour that followed clearly shifted his thinking.

He isn’t announcing a new album yet. Instead, XXL reports, his focus right now is The Fall-Off World Tour, his family and producing more music. Translation: the door is open, and Cole isn’t putting a lock on it.

Revisiting the Kendrick Moment

The sit-down also took fans back to spring 2024. After Kendrick Lamar took aim at Cole and Drake on Future’s “Like That,” Cole answered with “7 Minute Drill,” then publicly apologized days later and bowed out of the feud at his Dreamville Festival. The track was later pulled from streaming.

Cole told GQ he felt pressure to “respond without responding,” Billboard reports, while also still holding a Kendrick verse for his own album. He revealed he’d planned two Kendrick features for The Fall-Off but scrapped them after they leaked.

The Jay-Z and Mark Pitts Connection

Cole also credited Jay-Z with giving him room to find himself, saying the pressure to deliver commercially ultimately helped him grow. He recalled struggling mentally before 2013’s Born Sinner because he felt he wasn’t meeting his own standards.

Pitts, who was the first label executive to notice Cole in the late 2000s, reportedly decided Jive Records wasn’t the right fit for him and sent his music to Jay-Z instead, leading to Cole’s Roc Nation deal. Pitts stepped down as president of RCA Records in April to launch COFVNDERS, a multimedia management company whose first major project is Chris Brown and Usher’s R&B Tour, per XXL. Speaking of Hov, catch up on Jay-Z’s official Super Bowl LXI halftime news.

Why it matters: Cole is one of the last superstar rappers whose every album still feels like an event, and he’s built a deep, loyal fan base across the South. Knowing he’s not done means the Dreamville era still has more chapters, and the “Big Three” conversation isn’t closing anytime soon.

Want the culture first and with context? Join N’Style Insider, or become one of The 800 founding members.

Sources: XXL, Billboard, HotNewHipHop

The GOAT is finally taking the field. After years of choosing the halftime stars, Jay-Z will headline the Apple Music Super Bowl LXI Halftime Show himself. The show is set for Feb. 14, 2027, at SoFi Stadium in Inglewood, California.

Last week we told you Jay-Z had reportedly picked himself for the gig. Now the NFL, Apple Music and Roc Nation have confirmed it, and they did it in style.

“Goat’s Out of the Bag”

The reveal came during halftime of Monday Night Football’s Cowboys-Eagles game on Oct. 26. Apple Music ran a black-and-white spot of Jay-Z standing among goats in an empty stadium. It closed with a simple line: “Goat’s Out Of The Bag.”

In a statement shared by the NFL, Hov called it “a dream come true.” He tied the moment to 30 years in music, going all the way back to his 1996 debut, Reasonable Doubt.

NFL Commissioner Roger Goodell said he had one request when the league partnered with Roc Nation in 2019: “that JAŸ-Z take the stage himself one day.” Seven years later, he’s getting his wish.

Roc Nation Runs It Back

Since 2019, Roc Nation has helped curate halftime lineups that included Rihanna, Kendrick Lamar and Bad Bunny. Super Bowl LXI will be the eighth halftime show under that partnership, and Roc Nation will again executive produce. Hamish Hamilton returns to direct. He also directed Beyoncé’s 2013 halftime show.

The timing makes sense. Jay-Z’s JAŸ-Z30 stadium run celebrated 30 years of Reasonable Doubt and 25 years of The Blueprint. It wrapped with two nights at SoFi Stadium, the same venue that will host the big game. Those shows featured guests including John Legend, DJ Khaled, Dr. Dre and Snoop Dogg.

The game airs on ESPN, ABC and Disney+, with mobile streaming on NFL+. No guest performers have been announced yet, so the speculation starts now.

Why it matters: Jay-Z spent years opening the halftime door for other artists. Now one of hip-hop’s most influential figures gets his own moment on the world’s biggest stage, on Valentine’s Day, in front of a global audience. For a culture that waited decades to see rap treated as halftime royalty, this one hits different.

Who do you want to see Hov bring out? Tell us, and get the culture first by joining N’Style Insider or becoming one of The 800 founding members.

Sources: TheGrio, Forbes, Complex

A friendship that once looked unbreakable is now playing out in public. Former Love & Hip Hop: New York star Rah Ali is speaking out again about her split from Nicki Minaj. She is pushing back hard on claims that she took money from the rapper.

Here’s a clear look at what has been said, who said it, and what remains unproven.

How We Got Here

Rah Ali and Nicki Minaj were close for years. Ali was often seen at Minaj’s side, including during the widely reported 2018 clash between Minaj and Cardi B at New York Fashion Week.

In October 2025, Minaj said on X that several people had made unauthorized charges on her American Express card and that she was out about $25,000, according to HotNewHipHop. Minaj did not publicly name Ali. Fans began speculating anyway, and blogger Tasha K posted a video saying she had given Minaj information about Ali’s finances.

Ali answered with an open letter on X. She said she had been loyal throughout the friendship and accused Minaj of letting damaging claims spread. Her message to Minaj: “Show the evidence or apologize instead of sensationalizing headlines.”

What Ali Is Saying Now

In new comments reported by Onsite! Media, Ali calls the theft allegations “complete and utter lies.” Some online claims put the alleged amount at $30 million. Ali questions how a loss that size could happen without an arrest, charges or even questioning by police.

Ali says the fallout has brought harassment and threats aimed at her and her family. She says her biggest concern is the damage to her name and her business. As she put it, “This is not a story line.”

What We Don’t Know

No charges have been filed against Ali, and no evidence of theft has been made public. Ali says she has her own proof about Minaj’s intentions, but she hasn’t shared it. Minaj has not publicly responded to Ali’s latest comments, and N’Style has not independently verified the claims from either side.

Why it matters: Ali spent years in the Love & Hip Hop universe, and fans have watched this friendship from the front row. When money and loyalty claims go viral with no evidence on the table, real reputations and real businesses are on the line. That’s true no matter whose side you’re on.

For more Love & Hip Hop history, read about the franchise’s final chapter premiering Nov. 10.

Let’s talk: When a celebrity friendship falls apart this publicly, should both sides settle it privately, or does the public deserve receipts? Drop your take in the comments and tell us how you think this ends.

Get the full story first by joining N’Style Insider or becoming one of The 800 founding members.

Sources: Onsite! Media, HotNewHipHop, That Grape Juice

Caresha said watch, so we’re watching. Yung Miami’s long-awaited debut solo album, Watch Dis, arrived today, Friday, Oct. 23, and the City Girls star came with a guest list that reads like an awards-show seating chart.

A 21-Track Statement

Per the tracklist shared ahead of release, Watch Dis runs 21 tracks and includes the pre-release singles “F You,” “2008” and “Spend Dat.” That last one is her biggest solo hit yet, climbing to No. 17 on the Billboard Hot 100 and becoming her first solo Top 20 entry.

The features are deep. Travis Scott appears on “Just Might Go,” Summer Walker joins her on “Ride For You,” and Bryson Tiller and London On Da Track link up on “Old Time Sake.” Quavo and G Herbo share “TMTC,” while Pleasure P slides in on “Baby.”

Miami gets its flowers too: “Dade County” brings Rick Ross, Trina and Trick Daddy together on one track. And “Spend Dat” gets two remixes, one with Lil Baby and Kodak Black and an international version with Davido, Shenseea and Vybz Kartel.

Betting on Herself

When she announced the project earlier this month, Yung Miami made it clear this one is personal. In a post on X, she wrote, “This is me betting on ME.” She also told fans she knew people had counted her out, and that she chose to go big rather than play it safe with a single.

The rollout leaned into that energy, with London On Da Track producing “F You,” a reworking of the Yo Gotti and Meek Mill record, and J White behind “2008,” which dropped with a music video.

We’ll be curious to see how the Summer Walker collab lands with fans, considering everything the Atlanta singer has going on in her ongoing label dispute.

A Letter to JT

The most talked-about track might be the most personal one. On “Dear JT,” Yung Miami speaks directly to her City Girls partner, looking back on the broke days they survived together before the fame, and admitting that their public falling-out was embarrassing. She frames the song as a letter to a friend she still cares about, even with the friendship on pause.

Complex reports that Miami didn’t play the song for JT before it came out, and as of Friday, JT had not publicly responded. In a Pandora Playback interview cited by TheGrio, Miami said the two last spoke around JT’s birthday nearly two years ago. Asked about a reunion, she answered, “I mean, inshallah.”

Watch “Dear JT” below:

Now we want to hear from you: How are you feeling about “Dear JT”? And should the City Girls get back together? Drop a comment below and let us know.

Why it matters: Yung Miami has spent years as one-half of a duo and as a podcast host with Caresha Please. A solo album with this many A-list co-signs, including Atlanta’s own Quavo, Lil Baby and Summer Walker, is a real test of her standing as a solo artist in the South’s rap economy.

Tell us your favorite track. Join the conversation with fellow fans in N’Style Insider, or become one of The 800 founding members.

Sources: HotNewHipHop, Complex, Ratings Game Music, Hip Hop Vibe, Complex (“Dear JT”), TheGrio

Almost four decades, no lease, no rent, and now a court case. Stevie Wonder is suing to remove Carmen Efferson, a woman he was reportedly once engaged to, from a Los Angeles home he owns, according to legal documents obtained by TMZ.

A Handshake Deal From 1988

According to the filing as reported by TMZ, Efferson has lived in the property since July 1988 under a verbal agreement. There was no written lease, and the rent was $0 a month. Wonder’s side says that arrangement is now over.

TMZ reports that Efferson and Wonder had a romantic history and were said to have been engaged in the late 1980s. Wonder has been married to his third wife, Tomeeka Robyn Bracy, since 2017.

What Wonder’s Team Says Happened

Per the documents, Wonder’s team tried several times over the summer to inspect the house for insurance purposes. They say Efferson refused to let anyone in. His lawyers argue that put the property’s insurance coverage at risk, so they sent her a notice in July ending her right to stay, with an Aug. 27 move-out date.

Wonder’s side says she’s still there. He’s now asking a judge to order her out, and he’s also seeking damages and legal costs.

TMZ also reports a tense email exchange between Efferson and Wonder’s legal team in the lead-up to the suit. As of publication, no full public response from Efferson to the lawsuit had been reported, and N’Style Atlanta has not independently reviewed the court filing. These are claims made in a lawsuit, and a judge hasn’t ruled on any of them.

Why it matters: Stevie Wonder is Motown royalty and one of the most beloved artists in Black music. A legal fight that reaches back to his late-’80s personal life is a reminder that even legends have to sort out the business of handshake deals. We’ll keep you posted as the case moves through court.

Want the full story when it breaks? Join N’Style Insider or become one of The 800 founding members.

Sources: TMZ

The King of Crunk is turning the volume down, just long enough to tell his story. Lil Jon’s debut memoir, I Only Shout So You Can Hear Me, hit shelves Tuesday, Oct. 20, and it’s a lot more personal than the man behind “Yeah!” and “Get Low” has ever been in public.

Written with music journalist Paul Cantor and published by Atria/Black Privilege Publishing, an imprint of Simon & Schuster, the book follows Jonathan Smith from childhood in southwest Atlanta to the studios and stages where he helped turn a regional sound into a global party.

From the SWATS to the Super Bowl

Rolling Stone reports the memoir opens with his mother’s birth in Alabama, not his own, and moves through the late-’90s and early-2000s Atlanta scene that made crunk a movement. There are chapters on the records everybody still knows every word to, and on his work with Usher, Ciara, Ice Cube and Pitbull.

According to The Atlanta Journal-Constitution, the book also goes behind the scenes of Usher’s 2024 Super Bowl halftime show. It covers the reflection that came with turning 50 in 2022, his turn toward meditation and wellness, and a family revelation: the man who raised him is not his biological father.

Writing Through Grief

The hardest chapter came late. Lil Jon told Complex he had already finished the manuscript earlier this year, then went back to it after the death of his son, Nathan “DJ Young Slade” Smith, in February. The book’s epilogue is about that loss. He told the AJC plainly, “I’m still mourning,” and told Complex he hopes his honesty might help another grieving parent get through it.

That openness matches the tone he set when the book was announced in the spring. He said this project “made me dig deep and turn inward,” which is a long way from the man screaming “OKAAAY!” over the club speakers.

For fans who just want the party stories, he’s got those too. His own pitch to the AJC: if you’ve ever partied to his music and want to know the man behind it, “just pick up the book.”

Atlanta has always shown up for Lil Jon, from the Freaknik documentary premiere to every wedding reception that ends with “Turn Down for What.” Now the city gets to hear the parts he never shouted.

Why it matters: Lil Jon helped put Atlanta’s sound on the map. A memoir that pairs that legacy with honest talk about family, faith and grief is a rare kind of hip-hop history, and a lot of it comes from our city.

Want more Atlanta culture stories before they trend? Join N’Style Insider or claim your spot among The 800 founding members.

Sources: The Atlanta Journal-Constitution, Rolling Stone, Complex

Hov might finally be taking the stage he’s spent years building for everybody else. A new report says Jay-Z has picked himself to headline the Super Bowl LXI halftime show in Los Angeles. But nobody has made it official yet, so hold the confetti.

What the Report Says

On Oct. 20, Puck’s Dave Brooks reported that, according to multiple sources, Jay-Z chose himself for the February 2027 show at SoFi Stadium in Inglewood. Per the report, Miley Cyrus and Justin Bieber were also in the conversation before he landed on the headliner he apparently found most compelling: himself.

Here’s the key detail. Neither the NFL nor Roc Nation answered requests for comment, and theGrio called it an industry claim, not an official announcement. Until the league says so, this stays in the “reportedly” column.

Why Jay-Z Gets to Make the Call

If you’re wondering how an artist can book himself, the answer is the deal Roc Nation signed with the NFL in 2019. That partnership made Jay-Z’s company the league’s go-to for live music entertainment, and it was renewed in 2024. Roc Nation has since produced some of the most talked-about halftime shows in recent memory, including Kendrick Lamar in 2025 and Bad Bunny in 2026. The New York Daily News notes Bad Bunny’s set went on to win seven Emmys.

The timing makes sense too. 2026 marks 30 years since Reasonable Doubt and 25 since The Blueprint, and Jay-Z has been on a victory lap. Puck pointed to strong ticket sales for his anniversary shows and recent stadium dates in New York, Philadelphia and Paris. Rolling Out reports he has two SoFi Stadium shows coming this weekend, and some think an announcement could land around then. If you caught our coverage of Beyoncé’s surprise at his Yankee Stadium finale, you already know these shows have been major.

If it’s confirmed, this would be Jay-Z’s first time headlining the Super Bowl. That would be a big moment for a catalog that has soundtracked three decades of Black culture.

Why it matters: For years, Jay-Z has been the architect behind the halftime show, putting Black and Latino artists on the world’s biggest stage. Seeing him finally step into the spotlight himself would be a full-circle moment. It would also restart the debate about who gets the halftime stage and who decides.

Who should Hov bring out if it happens? Tell us, and get the culture conversation first by joining N’Style Insider or becoming one of The 800 founding members.

Sources: theGrio, Rolling Out, New York Daily News via The Spokesman-Review (citing Puck).

Tip is going back to the yard. Well, somebody’s yard. Atlanta’s own T.I. has been named grand marshal of Tuskegee University’s 2026 Homecoming, and he’ll be on the field at halftime too.

The Game Plan

TMZ Sports first reported the news, and theGrio notes that Tuskegee has since confirmed it. On Saturday, Nov. 7, T.I. will lead the morning Homecoming parade. Then he’ll hit the field with the Marching Crimson Pipers during halftime of Tuskegee’s matchup against Miles College at Cleve Abbott Memorial Stadium. Kickoff is set for 2:30 p.m. Central.

It’s a family affair, too. His youngest daughter, Heiress Harris, is scheduled to sing the national anthem. That fits nicely with the university’s theme for Homecoming 102: “A Renaissance Family Affair.”

A Full-Circle Moment

This booking didn’t come out of nowhere. Earlier this year, T.I. featured the Marching Crimson Pipers in the video for “Trauma Bond,” which samples the band’s signature “Ball N’ Parlay.” TMZ describes the song as part of Kill the King, which it calls his final album. HBCU Sports reported that the track came out in March through Grand Hustle and EMPIRE, and it framed the band feature as part of T.I.’s longer history of supporting HBCUs, including Morris Brown College here in Atlanta.

So when the Pipers strike up that sample live with T.I. standing in the middle of the formation? Yeah, Tuskegee might need a bigger stadium.

T.I. has been a fixture at Atlanta’s biggest culture moments for two decades. Flash back to when he and Tiny hosted the Grand Hustle black-tie holiday party at Pangea Studios.

Why it matters: HBCU homecoming is our Super Bowl. When an Atlanta hip-hop pillar puts his name and his platform behind a band and a campus, it puts a national spotlight on HBCU culture, and that spotlight is a big part of how these schools draw students and support.

Headed to Tuskegee, or just here for the halftime clips? Tap in with N’Style Insider, or join The 800 founding members and help build what’s next.

Sources: TMZ, theGrio, HBCU Sports

Atlanta’s own Summer Walker built a whole trilogy around being “Over It.” Now her record label is betting she isn’t done. Interscope Records has sued the R&B star for more than $50 million after she moved to walk away from the deal she signed back in 2017.

What the Lawsuit Says

According to Music Business Worldwide and theGrio, which cite reporting from Billboard and Rolling Stone, Interscope filed a seven-page complaint on October 9 in Los Angeles County Superior Court. The final dollar amount would be decided at trial.

The fight centers on California’s so-called seven-year rule, which limits how long personal-service contracts can bind an artist. Walker’s attorneys reportedly notified the label in August that she would stop working under the agreement as of August 27.

Interscope’s position is that the clock doesn’t erase the work still owed. The label says her contract called for five studio albums and counts three delivered: Over It (2019), Still Over It (2021) and Finally Over It (2025). Her 2018 mixtape Last Day of Summer and 2019 EP CLEAR are treated as pre-album projects. By the label’s math, two albums and an EP are still outstanding. A 1987 amendment to the California law allows labels to seek damages when an artist leaves before finishing those commitments.

Both Sides Are Talking

An Interscope spokesperson told Billboard the filing was needed to beat a statutory deadline. The label has also said it hopes for an “amicable resolution” and remains open to continuing the relationship.

Walker’s attorney, Keith Moten, said in a statement reported by Rolling Stone that her team will “vigorously defend” against the claims. He added that she plans to countersue and is open to a constructive resolution. No court has ruled on whether Walker owes anything.

The deal itself has an Atlanta story behind it. Walker was signed jointly by Interscope and LVRN, the Atlanta-born company behind some of the city’s biggest R&B careers. MBW reports that LVRN has since exited its joint venture with the label but remains Interscope’s partner on Walker and 6lack. For a look inside how LVRN thinks about developing artists, revisit our Jordan With The Juice conversation with LVRN co-founder Justice Baiden.

Why it matters: Summer Walker is one of Atlanta’s biggest homegrown voices, and this case could shape how much freedom R&B artists have when an old contract stops fitting. Artists everywhere are watching what happens when the seven-year clock runs out before the album count is met.

Want the next update before the timeline catches it? Join N’Style Insider for free, or become one of The 800 founding members and help keep independent Atlanta entertainment news going.

Sources: Music Business Worldwide, theGrio

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Jay-Z didn’t just play Yankee Stadium this past weekend — he turned it into a three-night victory lap through his own catalog, and by night two, it was clear he wasn’t holding back on the guest list.

Night One: Reasonable Doubt Turns 30

Friday’s show, billed “JAY-Z 30,” marked three decades since his 1996 debut, and he performed it nearly cut for cut. Beyoncé opened things up herself, stepping in for Mary J. Blige’s hook on “Can’t Knock the Hustle” in a pinstripe suit that had the stadium doing a double take. Their daughter Blue Ivy, who’s no stranger to a stage moment with her parents, played keys during “Feelin’ It.” Nas came out for the “Reasonable Doubt” staples that sample and echo their old rivalry, and Alicia Keys closed the night with “Empire State of Mind.”

Night Two: The Blueprint Turns 25

Saturday’s “JAY-Z 25” leaned into the album’s smaller, sharper guest list — Slick Rick opened “The Ruler’s Back,” Eminem traded verses on “Renegade” before dropping into “Lose Yourself,” and Pharrell joined for a run of their joint hits. The set closed with Jay reflecting on the album’s original release date, tying it to a moment fans won’t forget.

What’s “Extra Innings”?

Sunday’s closer is the wild card. Unlike the first two nights, it isn’t tied to a specific album anniversary — it’s billed as a career-spanning finale, and fans have been speculating for weeks about what that actually means. Add in the video of Beyoncé shaving Jay’s head that opened night one, widely read as new-album teasing, and there’s real reason to believe Sunday won’t just be a highlight reel.

Who We Want to See Next

Based on the “everything, all at once” theme of an Extra Innings show, here’s who’d make sense:

• Kanye West — co-produced huge chunks of Jay’s catalog across multiple eras; a reunion (however complicated) would be the biggest possible pop given the current climate around him.
• Rihanna — a Roc Nation cornerstone for over a decade; her absence from the weekend so far is the loudest silence.
• Foxy Brown — a defining voice from the Roc-A-Fella era who didn’t show up for “Reasonable Doubt” night despite fan predictions; Sunday’s open format is her best remaining shot.
• Rick Ross or DJ Khaled — either would fit a “one more for the culture” late-set cameo built around Roc Nation’s broader reach.
• Mary J. Blige — she couldn’t make Friday’s “Can’t Knock the Hustle” moment because of her Vegas residency, but if her schedule allows, Sunday’s open-format night is the natural do-over.

Whatever happens, it’s hard to imagine Jay-Z closing out a weekend this big without at least one moment nobody saw coming. We’ll be watching.

Who do you think should show up Sunday night? Drop your predictions in the comments.

Atlanta is getting the ultimate Mother’s Day moment as Xscape returns home to headline The Mother’s Day Love Affair at the legendary Fox Theatre on Sunday, May 10, 2026. The Grammy-nominated, platinum-selling trio—known for defining ‘90s R&B—will take the stage for a one-night-only celebration that blends nostalgia, culture, and pure star power.

Joining them is powerhouse vocalist K. Michelle, who’s stepping into a major new era as she gears up for her debut on The Real Housewives of Atlanta Season 17. Fresh energy, bold presence, and undeniable vocals make her one of the night’s most anticipated performers. Rounding out the lineup is R&B favorite Donell Jones, bringing timeless hits that defined late ‘90s and early 2000s slow jams.

This isn’t just a concert—it’s a cultural experience. With Xscape’s iconic catalog, K. Michelle’s headline-making moment, and Donell Jones delivering pure nostalgia, the night promises unforgettable vibes rooted in love, legacy, and connection.

Tickets are expected to sell out fast, as fans across generations prepare to celebrate Mother’s Day in true Atlanta style—with music that moves the soul.

EVENT DETAILS

The Mother’s Day Love Affair

Xscape with Special Guests K. Michelle & Donell Jones

• Date: Sunday, May 10, 2026

• Location: The Fox Theatre | 660 Peachtree Street NE, Atlanta, GA

• Artist Presale: Thursday, March 19 — 10:00 AM

• Venue Presale: Thursday, March 19 — 12:00 PM

• General On-Sale: Friday, March 20 — 10:00 AM

Tickets available at FoxTheatre.org and the Fox Theatre Box Office.

The Chi star Birgundi Baker is stepping into her next era, and she’s making it clear she’s not playing small. In a new sit-down with Jordan With The Juice, the actress and rising music artist opens up about her latest single, “My Location (I’m Outside)”, and what fans can expect as The Chi prepares to air its final season.

Known for her standout portrayal of Kiesha Williams, Birgundi reflects on how the role shaped her both personally and professionally. As the beloved Showtime series comes to an end, she shares her gratitude for the character’s journey and the impact the show has had on Black storytelling and culture.

But acting isn’t the only lane Birgundi is dominating. During the interview, she dives into her music career and the inspiration behind “My Location (I’m Outside)”, a confident, high-energy track that represents freedom, self-expression, and reclaiming joy. She explains that the song isn’t just a vibe — it’s a statement about showing up fully, unapologetically, and on her own terms.

The conversation also highlights Birgundi’s evolution beyond the screen, balancing multiple creative passions while staying grounded in authenticity. With music dropping and The Chi closing a powerful chapter, it’s clear Birgundi Baker is entering a bold new phase — and she’s inviting fans to meet her right where she is.

The full interview is now streaming on Jordan With The Juice, and if this conversation is any indication, Birgundi Baker’s next moves will be just as impactful as the legacy she leaves behind on The Chi.

https://youtu.be/IPwCHIkr1j8

N’Style Atlanta highlights another must-watch moment in hip-hop media as Jordan Martin (aka Jordan With The Juice) sits down with Grammy-winning Super Producer Bangladesh. As the creative force behind culture-defining records like Lil Wayne’s “A Milli” and Beyoncé’s “Diva,” Bangladesh has spent decades shaping the sound of the industry.

While Part One of this revealing conversation saw Bangladesh opening up about his creative instincts—including the shocker that he initially didn’t even like the “A Milli” beat—Part Two takes us even deeper into the mind of a legend.

In this high-energy conclusion, the “A Milli” mastermind pulls back the curtain on the evolution of his sound and why he refuses to chase the charts.

Inside the Interview: Key Highlights

• The Evolution of the “Bangladesh Sound”: Bangladesh reflects on maintaining a signature style that feels “foreign” to the ear while staying relevant in an ever-changing industry. For him, it’s about being the trend, not following it.

• Industry Dynamics & “Copycat” Culture: With his signature unfiltered honesty, he shares candid thoughts on the current state of hip-hop production and the grit required to stand out in today’s crowded market.

• Working with Icons: Get a seat inside the studio as he discusses the collaborative mindset needed to create hits for the likes of Rihanna, Nicki Minaj, and Beyoncé.

• Gems for the Next Generation: Bangladesh drops invaluable advice for up-and-coming beatmakers, specifically focusing on the business of music and the importance of protecting your intellectual property.

The Master at Work

Jordan guides the conversation with her signature mix of curiosity and cultural insight, uncovering the stories of hits that almost never made it out of the vault. Whether you are an aspiring producer or a lifelong hip-hop fan, this interview is a masterclass in creativity and career longevity.

Don’t miss this exclusive moment—watch the interview below!

WATCH FULL INTERVIEW HERE

Follow the Journey:

• Watch: Jordan With The Juice on YouTube

• Stay Connected: Follow @JordanW.TheJuice on Instagram for more behind-the-scenes content.

• Subscribe: Visit NStyleAtlanta.com and subscribe to the “Jordan With The Juice” channel via Kiss 104.1 for more exclusive interviews with the architects of the culture.

https://youtu.be/sTpL0sULOtchttps://youtu.be/w8nNIRHIUdM

Meet Nia Monét — an independent R&B artist from Queens, New York, whose voice, style, and story are all about authentic self-expression. 🎤✨

In this exclusive interview, Nia opens up about building her career independently, the inspiration behind her soulful sound, and how she channels love, heartbreak, and growth through her music. From writing heartfelt lyrics to connecting with fans through her natural hair and beauty content, Nia proves that artistry goes far beyond the mic.

💫 Her message? Show up fully, unapologetically, and embrace your glow—inside and out.

Watch as Nia Monét shares how faith, consistency, and creativity fuel her journey as an artist and entrepreneur.

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https://youtu.be/6qxfnEkVYrk